摘要
狂放激情的浪漫主义艺术思潮,给晚明音乐舞蹈和戏剧的发展灌注了新的生气,带来了音乐舞蹈和戏剧艺术的空前繁荣,理论探讨十分活跃,成果显著。在晚明文人艺术家的艺术观念中,"情"被看作是音乐舞蹈和戏剧的艺术本性,表现出强烈的现实性和鲜明的时代特色。晚明文人对音乐舞蹈和戏剧艺术的探讨,加深了对艺术情感本质的认识,进一步拓展和丰富了中国艺术的情感本体论研究。
The passionate romantic art trend of thought injected new life into the music, dance and drama of the late Ming dynasty, and brought about unprecedented prosperity in theoretic researches and productions in the fields of music, dance and drama. The literati and artists in the late Ming dynasty commonly viewed "feeling" as the artistic nature of music, dance and drama, in which demonstrated their strong realistic considerations of the time. Through the discussions on music, dance and drama, the literati in the late Ming dynasty deepened their understandings on the essence of art, and further expanded and enriched the researches of emotional ontology of Chinese arts.
出处
《中北大学学报(社会科学版)》
2017年第3期109-114,共6页
Journal of North University of China:Social Science Edition
基金
2016年度国家社科基金艺术学项目:常任侠艺术史思想研究(16BA6)
晚明书画消费与文人生活(16BA008)
关键词
音乐
舞蹈
戏剧
情感本性
晚明
music
dance
drama
the nature of feeling
the late Ming dynasty