从《风月词珍》和《山歌》看明代桐城歌

Tongcheng Song of Ming Dynasty in Terms of Feng Yue Ci Zhen and Folk Song

桐城歌是安徽桐城地区一种历史悠久、富有特色的地方民歌,明代以来,这种出于闾巷、独抒性灵的民间歌谣,得以跻身于时调杂曲之列,或为吟唱或被念诵,刊布成帙、影响深远。先后被文人冯梦龙、顾起元、李子汇等广为辑录。据文献考证,明代收录桐城歌最多的是《风月词珍》,影响最大的是《山歌》,其蕴含的独特社会背景、审美特征、艺术形式,鲜活而生动地反映了有明一代桐城地区社会文化图景和风俗人情,具有重要的研究价值。

The Tongcheng Song is a kind of distinctive folk song with a long history in Tongcheng,Anhui. Since Ming Dynasty, this kind of folk song with natural disposition and intelligence originated from lanes was among the sort of potpourri, which was sung or chanted and recorded into books with a far - reaching influence. The Tongcheng Song was successively compiled by scholars like Feng Menglong, Gu Qiyuan, Li Zihui and so on. Ac-cording to the literatures, the book which recorded most of the Tongcheng Songs in Ming Dynasty is Feng Yue Ci Zhen , while the most influential book is Folk Song. The unique social value, aesthetic characteristics and the art form contained in the Tongcheng Song reflect the social culture and folk customs in Tongcheng of Ming Dynasty in a lively and vivid way.