摘要
现代水墨人物画的"书写性"是由中国传统审美与文化而孕育并产生出来的绘画言语与技法形式,它贯通了中国形而上的"气"、"道"、"形"、"意"、"韵"等思维方式,并以形而下的"骨法用笔"、"线面结合"等笔墨线条与笔墨效果呈现,追求笔墨的文化内涵,营造一种尚意的自然境界。现代水墨人物画的"书写性"是中国传统审美文化、笔墨语言与技法的体现,是诗歌的境界、音乐的旋律、舞蹈的节奏,并能激发人们共性的审美感受。
Graphology of modem ink portrait painting is the language and techniques conceived and produced out of Chinese traditional aesthetics and culture, it involves Chinese metaphysical thinking like " Qi" and " Tao"," Shape”," Meaning" and " Rhyme" , in addition, its concrete presentation includes the merger between lines and surfaces in order to pursue the cultural connotations and artistic conceptions of ink paintings. Graphol-ogy is the incarnation of Chinese traditional aesthetics and culture, representatives of painting language and tech-niques , a realm of poetry, musical melody, and rhythm of dancing capable of inspiring common aesthetic feeling.
出处
《攀枝花学院学报》
2017年第3期57-60,共4页
Journal of Panzhihua University
关键词
现代水墨人物画
书写性
笔墨
线条
骨法用笔
modem ink portrait painting
graphology
ink
line
artistic expression in lines