摘要
在艺术史上,女性艺术家几乎是无迹可寻,由于各种因素对女性艺术的制约,使得女性艺术的成长经历了漫长的阶段,但是女性艺术家一直在努力,在挣扎着生存,终于在20世纪将女性艺术与女权运动相结合,成为了当代艺术中最为前卫、最激进的艺术。而近现代的中国女性艺术已远非传统女性艺术所呈现出的单一风格。我们可以看到其中所共有的特质:女性艺术家以其特有的视角,构成了对社会,同时也是对女性自身的新的读解。
In the history of art,female artists leaves almost no trace,due to the restriction of various factors on female art, growth of female art has experienced a lengthy period, but the female artists have been working hard, struggling to survive,finally in the 20 th century,by integrating the feminist movement, female art is rated as the most radical and cutting - edge art in contemporary time. Modem Chinese female art presents multiple styles far beyond its traditional unitary style. Common traits can be found: the unique perspectives of female constitute a new interpretation of the society as well themselves.
出处
《攀枝花学院学报》
2017年第3期67-73,共7页
Journal of Panzhihua University
关键词
女性艺术
西方女性
中国近现代女性艺术
female art
western women
Chinese modem and contemporary art,rise