内心的现场:“我的爱是一根羽毛”——论罗伯特·克里利的诗歌艺术

The Scene of Inner Heart:“My Love Was a Feather”——On Robert Creeley's Poetic Art

美国黑山派代表诗人罗伯特·克里利通过非人格化的情感记录,非主体性的即时述说,以及开放游离的散漫风格,为20世纪美国诗歌由现代主义向后现代主义的过渡提供了可资借鉴的发展路径。克里利的诗歌既超越了抒情主义传统,又进入了现代诗学的前沿地带,本文着眼于研究其中所体现出的典型的智性写作、过程诗学和散漫艺术质素,以期为克里利诗艺归纳乃至整个美国后现代诗歌研究提供新的诗学理念和解读视角,对21世纪新诗学的建设也具有理论参考价值。

Through the impersonation of sentimental markings, the desubjectivation of instant expressions and the dissociation of dispersive style, Robert Creeley, a representative poet of the Black Mountain School, paves a valuable development pathway for the transition of 20th century American poetry from modernism to postmodernism. Creeley＇s poetry goes beyond the lyric tradition, and enters the frontier of modem poetics. Such qualities as typical wisdom writing, process poetics and dispersive art reflected in his poetry provide not only new poetic theory and new perspective of interpretation for both Creeley＇s individual poetics and the whole American postmodem poetry, but also valuable theoretical implications for the construction of new poetry in the 21st century.