论传统粉彩山水瓷画与当代陶瓷色釉的结合

Study on Blending the Traditional Ceramic Famille Rose with Modern Pigmented Glaze

粉彩是陶瓷艺术中一项成熟的传统技法,而粉彩山水瓷画在结合粉彩本身的材料语言与材料美感的同时又继承中国传统文人绘画的审美意境。在与当代色釉材料相结合之后,产生了新颖的画面语言和强烈的视觉效果。在探讨两者之间契合点的同时阐述个人的创作经验,力图通过对两者性质的论述,寻求其可行性。

Famille rose porcelain painting of landscapes is one of mature artistic techniques in the traditional ceramic technique. It not only combines with material language and aesthetic perception by itself, but also inherits the aesthetic artistic conception of Chinese traditional literati painting. Both novel picture language and strong sense of visual effect are generated after combining it with the contemporary pigmented glaze technique. The agreements between the traditional famiUe rose porcelain and modem pigmented glaze are discussed with the author＇ s creative experience, in order to study the feasibility of combining them by considering the properties of them.