摘要
中西绘画美学围绕着"传神论"与"镜子说"等具有特征性的命题而建立。二者在形象塑造的层面上,以"传神"与"逼真"体现了中西绘画迥异的美学主张。
Chinese and Western painting aesthetics revolves around the distinctive propositions such as 'theory of mind' and 'theory of mirror'. Both in the level of image shaping, 'vivid' and 'realistic' reflects the different aesthetic ideas of Chinese and Western painting.
出处
《中华文化论坛》
北大核心
2017年第6期90-97,192,共8页
Journal of Chinese Culture
关键词
中西绘画
美学命题
传神论
镜子说
Chinese and Western painting
aesthetics proposition
the theory of mirror
the theory of mind
