摘要
江西省音乐类非物质文化遗产的保护与传承在政府的引领下,在各科研院校的辅助下,在媒体、商业以及社会团体积极参与的时代背景下,呈现出一片欣欣向荣的景象。如果说20世纪80年代以前的保护是自觉形成的话,那么,21世纪之后的保护则是自发形成的,江西的音乐类非遗保护走过了一条由自觉到自发,由个体到群体,由零散到系统的逐步完善的道路。虽然在这个道路上不可避免地产生了一些"善意"的破坏非遗原生性的行为,但总体而言还是功大于过,利大于弊。
In Jiangxi province, the protection and inheritance of the intangible cultural heritage of music is under the guidance of the government and with the assistance of some scientific research institutions. In the era of media, business as well as some social groups actively participating in, it presents a thriving scene. If the protection of the intangible cultural heritage of music before 1980s is called voluntary establishment, then after 1980s it may be defined as spontaneous formation. Jiangxi music heritage protection has experienced a process from self-consciousness to spontaneity, from the individual to the group and from scatter to system. Although the way to protect the intangible cultural heritage of music has inevitably produced a number of good faith destructive behaviors to the intangible cultural heritage, yet with respect to its results in general, the merits outweigh the shortcomings and the advantages outweigh the disadvantages.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2017年第6期139-141,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
2015年度江西省高校人文社会科学研究项目:唐代教坊乐官研究(YS1523)
2015年度江西省十二五规划项目:民族音乐传承背景下的社区音乐教育--以江西南昌‘采茶戏’为例(15YS36)
关键词
非物质文化遗产
音乐类
保护
传承
intangible cultural heritage
music class
protection
inheritance