摘要
但丁,意大利诗人,被恩格斯称为"中世纪的最后一位诗人,同时又是新世纪的最初一位诗人"。他的代表作《神曲》被认为是"文艺复兴"的开山之作,在文学史上具有重要地位。无独有偶,在17世纪初的中国明代,话本小说集"三言"(《警世通言》《喻世明言》《醒世恒言》)中的短篇小说《游酆都胡母迪吟诗》,与《神曲》拥有较强的可比性。通过《游酆都胡母迪吟诗》与《神曲》的比较研究,在总结、概括相同与相异的基础上,可以窥探中西方文学、文化在共通的文学内在规律上的异同。
Dante, a famous Italian poet, was termed as " the last medieval poet and meanwhile the first poet in the new century" by Engels. His masterpiece "Divine Comedy" is taken as the starting point of "Renaissance" and therefore takes significant position in the history of literature. The short story "The Tour of Fengdu Mother Hu Di Poetry" in "Three Volumes of Stories" (in the early 17th century) can be compared with "Divine Comedy". By summarizing the similarities and differences, the common literary rules of Chinese and western literature and culture can be discovered.
出处
《哈尔滨学院学报》
2017年第6期78-80,共3页
Journal of Harbin University
基金
河南省教育厅2017年度人文社会科学研究一般项目
项目编号:2017-ZZJH-285
关键词
《神曲》
《游酆都胡母迪吟诗》
异同
"Divine Comedy"
"The Tour of Fengdu Mother Hu Di Poetry"
similari- ties and differences