现代艺术荒诞性的审美本质——兼及艺术审美类型的逻辑关系和历史进程

Absurd Aesthetic Essence of Modern Art: Also on the Logic Relation and Historic Course of Art Aesthetic Types

20世纪以来,艺术界和理论界存在着一股否定审美为艺术的本质属性、艺术不再表现美、不再具有审美品格的思潮。文章从艺术审美四大类型之间的逻辑关系入手,辅以它们在历史上的演进过程,特别是通过对以荒诞为表现内容的现代艺术进行分析,说明尽管艺术的发展进入现代乃至后现代,尽管表现的内容已经与传统的"美"大异其趣甚至正好相反,但从本质上看,它们并未脱离审美的轨迹。文章最后指出,明确艺术的审美属性有助于保证艺术创造的正确路向,避免艺术滑向自我迷失的、反审美、反艺术的歧途。

Since 20 century, there has been a trend of thought denying aesthetics is the essential attribute of art, art reflects beauty, art has an aesthetic taste. Starting from the logic relation among four types of art aesthetics, and based upon the evolvement course, and taking absurd art as the example, I explain that although art has entered the modem and post -modem era, although its content is different from traditional beauty, but essentially speaking, they are not separated from aesthetic track. It points out that it is helpful to guarantee the correct direction to pinpoint the aesthetic attribute of art so as not to guide art to slide to the wrong path.