梁启超近代诗歌品评中的中西美学思想研究

Chinese and Western Thinking in Liang Qichao's Comments on Modern Poetry

前人对梁启超的美学思想的研究一般站在其接受西方美学思想的角度上,这一点其实忽略了梁启超"中学为体"的思想观念。通过梁启超对近代诗歌的品评,可以窥探其中西美学思想的碰撞和融合。一方面,中国审美艺术中的古格和寄托成为梁启超近代诗歌评价的基石,同时也成为中西方美学媾合的基础;另一方面,则是音乐之美在中西美学思想中的作用,梁启超的"区别审美",既可以看出他对中国诗歌音乐之美的肯定,也可以看出他"西学为用"的美学思想。在近代诗歌评析中,中国审美思想出现了新旧交锋的情况,梁启超的"新""旧"思想成为其诗话体系中重要的美学逻辑。

Based upon Liang Qichao's comment on modern poetry,we could find that there was a crash and integration between Chinese and western aesthetics thought. On one aspect,ancient Chinese aesthetic categories and wishes became the basis of Liang Qichao's comment upon modern poetry,and also the basis of the integration between Chinese and western aesthetics. On the other aspect refers to the function of music beauty in Chinese and western aesthetic thought. That Liang Qichao differentiated aesthetics not only showed his affirmation of the music beauty of Chinese poetry,and also showed his aesthetics of applying the western to Chinese. In the comment of modern poetry,Chinese aesthetic thought appeared a condition of encounterment of the new and the old. Liang Qichao's new and old thought became the significant aesthetic logic of his notes on classical poetry.