摘要
威廉·吉布森的《神经漫游者》一书中描写的是未来的后现代社会,这是一个遍布科技和物质的晚期资本主义世界。在凸显后人类文化时,作者运用了"物态化"叙事手法,通过描写都市景观、消费文化和审美视角三个方面,由物质所产生的一系列变化,来反映后人类在物质生活和精神世界的文化特性,深刻地透视出后现代社会中,人与物之间所存在的相互依存、纠结缠绕的关系。
In Neuromaneer, Willian Gibson depicts the postmodern world, a late capitalist society, where technology and mate- rial spread all over. When highlighting the posthuman culture, the author applies the "materialistic" Narration. By describing a se- ries of changes caused by material in terms of cityscape, consumer culture and aesthetic perspective, the author reveals the material and spiritual cultural identity of posthumanity, as well as reflects the mutually dependent and entangled relationship between human and material in postmodern society.
出处
《黑龙江工业学院学报(综合版)》
2017年第6期143-147,共5页
Journal of Heilongjiang University of Technology(Comprehensive Edition)
基金
教育部人文社科青年基金项目"美国后现代小说的科技伦理研究"(13YJC752012)
辽宁省人文社科项目"后现代崇高理论视阈下的美国后现代小说研究"(W2015095)的阶段性成果。