摘要
福建古田临水宫是一座有着千年文化底蕴的道教宫庙,宫庙中的雕刻精致古雅、工艺精湛、内涵深刻,体现了中国道教艺术与文化的完美统一。文章从艺术审美和题材特征两个方面对古田临水宫的雕刻进行深入剖析,探究雕刻具有的文化特质,进而从艺术美学的视角揭示了其所承载的道教"出世"和"入世"的双重文化内涵,为道教"社会角色"研究提供一定的参考。
Linshui palace of Gutian in Fujian is a Taoist temple with culture heritage of thousands of years. The cravings of the temple, which is quaint and fanciful with exquisite workmanship and profound meaning, represent perfect unification between art and culture in Chinese Taoism. This paper analysed the cravings of Linshui palace deeply in terms of aesthetic art and theme characteristics. It explored the culture trait particularly in the cravings, so as to reveal their dual cultural connotations in Taoism from the perspective of art aesthetics, which are detaching from or going deep into secular society. Therefore, it can provide references for the studies on social rote of Taoism.
基金
福建省教育厅中青年教师教育科研项目阶段性成果(课题编号:JAS150389)
关键词
出世与入世
古田临水宫
雕刻艺术特征
文化内涵
道教
detaching from or going deep into secular society
linshui palace of gutian
characteristics ofcarving art
cultural connotation
taoism
