民初清遗民的身份认同和文化想像——何维朴《登岱图》及其题咏研究

The Identity and Cultural Imagination of Qing Royalist Poets in the Early Republican China

文章以林葆恒所辑《林文直公登岱图》一书讨论民初的清遗民如何借助图像和诗词以表达他们的身份认同和文化想像。第一部分讨论遗民诗社超社的第四次雅集,是集为送林绍年登岱而设。《登岱图》一书中所收的图像和诗词也源于此集。第二部分讨论《登岱图》的三层意义空间,并指出该画收藏者林葆恒将图像作为镜像,以追忆其父并自塑其遗民形象。第三部分借用《登岱图》的题咏,讨论遗民的群体形象和集体认同。

The article looks into the question of how Qing Royalists poets express their identity and cultural imagination by the book ＂ Lin Wenzhi Gong Deng Dai Tu,＂ （compiled by Lin Baoheng）. The first part probes the complexity of the situations on the fourth gathering of a Qing Royalist poem society Chao She. This book originated from this gathering and includes a Chinese painting and many attached poems The second part discusses three facets of meanings in this painting and its attached poems. Lin Baoheng uses this painting was an image to recall the image of his father, Lin Wenzhi, a Qing Royalist. By this way, he reshapes his own image as a Qing Royalist. The third part examines the abstract group image and collective identity of Qing Royalist poets.