摘要
随着社会经济的飞速发展和物质层面的极大丰富,诗人们在诗歌中的精神层次文化交流逐渐深刻和膨化。相对于20世纪中国新诗而言,新世纪诗歌在题材的对内回流和反馈上有明显增长的趋势。在作家、作品、世界、读者这文学四坐标的互相作用中,诗人对自身的反省和追问以及诗人与诗歌之间新型关系的建立逐渐成为新世纪以来中国诗歌的明显走向态势。从以上两个方面,阐述新世纪诗歌中的自我观照的内在特征和诗人们诗观在作品中的体现,并分析论证这两种走向变化对诗歌整体生态环境的有效矫正和背后隐患。
With rapid economic development and material abundance, the spiritual explorations of poems are more profound and comprehensive. Compared with the modern Chinese poetry in the 20th century, the modern Chinese poetry in the 2hh century has a significant growth in the internal discussion of poetic theme. In the interaction of author, works, universe and reader, the poets' self-reflection and probe as well as the establishment of the new relationship between poets and poetry gradually have become an obvious trend of the modern Chinese poetry in the new century. Based on the two aspects above, this paper expounds the internal features of self-reflection and the poets' views of poetry in the new century's poetry, and studies the corrective effect and negative effect of these trends on poetic ecosystem.
出处
《河北工业大学学报(社会科学版)》
2017年第2期32-38,共7页
Journal of Hebei University of Technology:Social Sciences Edition
关键词
新世纪诗歌
精神走势
自我观照
诗观
the poetry in the new century
spirit trend
self-reflection
poetics