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人物关系视域下《离婚》爱姑形象的多重性

An Analysis of Aigu's Image of Multiplicity in Divorce from the Perspective of Character Relationship
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摘要 鲁迅《离婚》中爱姑的形象具有多重性。爱姑形象的多重性表现在与小说中人物的关系之中:在家庭关系中,爱姑家境优越但缺乏教养,是一个泼辣的旧社会乡下妇女形象;在夫妻关系中,爱姑难以营造温馨和谐的家庭生活,是一个没有爱情却坚持报复心理的悲剧女性形象;在乡绅关系中,爱姑信奉以乡绅为代表的封建旧势力,是一个畏惧绅权的社会底层乡民形象。爱姑形象的多重性,是其生活状态和精神世界的反映,亦是探究其反抗离婚失败的重要依据。 Aigu' s literature image has multiplicity in Lu Xun' s works Divorce. The multiplicity of the image of Aigu lies in the relation to the characters in the novel. She is a peasant woman of old society who has a superior family, but she lacks education.. She is a tragic woman who loses love, and is committed to revenge in the spousal relationship. As a barbarous and shrewish character, she finds it hard to create a harmonious and warm family life. She is afraid of squires in the squire relationship, which makes her go no further in the cognitive limitation. The multiplicity of Aigu' s image not only shows her living situation and inner mind, but also is the important cause for her to react against the failure of the divorce.
作者 吴士杰
出处 《金华职业技术学院学报》 2017年第4期78-81,共4页 Journal of Jinhua Polytechnic
关键词 《离婚》 爱姑 人物关系 多重性 Divorce, Aigu, relationship, multiplicity
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