摘要
鲁迅《离婚》中爱姑的形象具有多重性。爱姑形象的多重性表现在与小说中人物的关系之中:在家庭关系中,爱姑家境优越但缺乏教养,是一个泼辣的旧社会乡下妇女形象;在夫妻关系中,爱姑难以营造温馨和谐的家庭生活,是一个没有爱情却坚持报复心理的悲剧女性形象;在乡绅关系中,爱姑信奉以乡绅为代表的封建旧势力,是一个畏惧绅权的社会底层乡民形象。爱姑形象的多重性,是其生活状态和精神世界的反映,亦是探究其反抗离婚失败的重要依据。
Aigu' s literature image has multiplicity in Lu Xun' s works Divorce. The multiplicity of the image of Aigu lies in the relation to the characters in the novel. She is a peasant woman of old society who has a superior family, but she lacks education.. She is a tragic woman who loses love, and is committed to revenge in the spousal relationship. As a barbarous and shrewish character, she finds it hard to create a harmonious and warm family life. She is afraid of squires in the squire relationship, which makes her go no further in the cognitive limitation. The multiplicity of Aigu' s image not only shows her living situation and inner mind, but also is the important cause for her to react against the failure of the divorce.
出处
《金华职业技术学院学报》
2017年第4期78-81,共4页
Journal of Jinhua Polytechnic