摘要
童年的痛苦给鲁迅造成了巨大的心理创伤,青年时期接受的新文化思想使他把国民看作愚昧的庸众,因而使得《故乡》中的故乡形象是封闭保守的,人物形象也是麻木不仁。新文化运动落潮之后创作的《朝花夕拾》中,他对于故乡的描述发生了巨大转变,淡化了痛苦记忆,自卑的创伤改用嬉笑方式讲述,愚昧人物也变得慈爱善良了,故乡俨然成为他眷恋的精神家园。发生这种转变的原因主要有两个:一是他对城市生活的厌倦,二是他强烈的思乡情绪。
The pain of childhood caused great psychological trauma to Lu Xun, and the new culture accepted in his youth makes him think the people foolish, which causes the image of hometown in Hometown to be closed and conservative, and figures to be foolish. In Collecting Morning Flowers at Dusk written after the new culture movement, his description of homeland changes greatly, painful memories are diluted, and the trauma with inferiority is written with laughing, and foolish figures become kind, in short, the homeland has become his spiritual home. There are two main reasons for this change: he is tired of the city life, and he is homesick.
出处
《滁州学院学报》
2017年第3期50-52,56,共4页
Journal of Chuzhou University
基金
安徽省教育厅高校人文社会科学研究项目(SK2015B11)
关键词
《故乡》
《朝花夕拾》
鲁迅
故乡
Hometown
Collecting Morning FZowers at Dusk
Lu Xun
hometown