现象学美学的起步——胡塞尔与盖格尔的思想关联

The Start of Phenomenological Aesthetics——The Interconnection of Thoughts Between Husserl and M.Geiger

尽管盖格尔与胡塞尔两人在现象学方法的理解上依然存在差别,在实际进行的现象学操作方面也风格迥异,但直接朝向内在心灵的本质直观目光仍然构成盖格尔与胡塞尔超越论现象学的方法路径的交会点。用现象学的方法来研究心理学问题,这差不多是慕尼黑学派和哥廷根学派的现象学家的共同的总体诉求,无论这里的心理学问题是指审美心理还是道德心理,是指个体心理还是社会心理。对于盖格尔来说:现象学在审美学中发现了自己的特权领域。但审美现象学,即对审美体验的研究,必须要获得方法的支持,通向审美学的通道必须得到方法上的保障。这是盖格尔的审美现象学的基本内涵和意义。

Despite the difference between M.Geiger and Husserl in understanding phenomenological methods and that in the style of performing phenomenological operations,the eidetic intuitive sight directed upon the inner mind still constitutes the intersection between Geiger,on the one hand,and Husserl's transcendental phenomenological method and path,on the other.It is virtually the common general appeal of the phenomenologists of the Munich School and those of the Gottingen School to apply phenomenological methods to psychological problems,be they aesthetic or moral psyche,individual or social psyche.To Geiger,phenomenology has found its own privileged realm in aesthetics.However,aesthetic phenomenology,which is the study of aesthetic experiences,must obtain methodological support,and the path to aesthetics,methodological security.This is the fundamental connotations and significance of Geiger's aesthetic phenomenology.