摘要
20世纪90年代以来,中国女性艺术经过女性艺术家不断努力,使得女性不再是艺术的"客体",而是艺术的"主体"。女性艺术家用其特有的艺术视角和表现方式成为当代艺术的后起之秀。从此女性艺术开始走出"边缘",靠近文化中心的历程。
Since the 1990s, Chinese female artists have been working hard to make women no longer the "object" of art, but the "subject" of art. Female artists have become a rising star of contemporary art for their unique artistic angel and manifestation mode. From thenon, the female art began to get out of the "culture edge", and head close to the culture center.
作者
任敏
REN Min(School of Business and Technology, Anhui University of Technology, Ma'anshan 243002, Anhui, Chin)
出处
《安徽工业大学学报(社会科学版)》
2016年第4期19-21,共3页
Journal of Anhui University of Technology:Social Sciences
关键词
女性艺术
绘画
女性意识
表现方式
fernale art
painting
female consciousness
manifestation mode