论文学翻译创造性的译介学表现范式——以Wilhelm和章鹏高《聊斋志异》德译版为例

On The Performance Paradigm of the Creativity of Literary Translation from the Perspective of Medio-translatology——The German Strange Tales From A Lonely Studio Translated Respectively by Wilhelm and Zhangpenggao Taken for Example

译介学不同于传统意义上的翻译学,它是比较文学框架下的翻译研究。译者对他者形象的塑造和对异域文化因素的创造性吸收,成为译介学研究的一个主要内容。以Wilhelm和章鹏高《聊斋志异》德译版为例,分析在译介学视域下文学翻译创造性的三种主要表现,即为求同和存异的创造性翻译本质、译者的创造性语言想象力,以及作者、译者和读者的创造性互动。

Medio-translatology is different from traditional ones. It is a study of translation in the framework of comparative literature. The translator＇s image shaping of others and his or her creative absorption of foreign cultural factors constitute the main content of the medio-translatology study. Taking the German Strange Tales From A Lonely Studio by Wilhelm and the one by Zhangpenggao for example, this paper analyzes the main features of the creativity of literary translation from the perspective of medio-translatology： Putting aside minor differences so as to seek common ground （it is the nature of creative translation）, the translator＇s creative linguistic imagination, and the creative interaction between the writer, the translator and the reader.