法国艺术社会学批判

20世纪70年代,艺术社会学领域逐渐出现了＂法国学派＂与＂美国学派＂之说,这也是法国艺术社会学研究的独特性受到国际认可的开始。本文首先简要回顾20世纪西方艺术社会学的发展背景与大致脉络,然后就法国艺术社会学的发展历程,包括经典学者及他们对后代研究者的影响,特别是70年代以来法国艺术社会学的发展情况进行详细介绍。最后回到中国语境,通过当代艺术的案例思考艺术社会学在分析本土案例、面对西方话语权、建立中西方学术平等交流等方面的积极意义。

In the 1970s there is the emergence of the ＂French school＂ and the ＂American school＂ in the area of art sociology. It is also an important moment for international recognition of the originality by French researchers in this field. This paper is to introduce a brief review of the history of art sociology during the 20th century, then presents the key authors in this field in France, and the evolution of the discipline from 1970s as well. Finally,the case of Chinese contemporary art will bring us to think about the positive role of art sociology by analyzing the status of universal values in an intercultural context and a globalized world where the hegemony of Western discourse in art field remains a concern for most researchers from non-Western countries.