摘要
视觉化是当代文化存在和发展的重要基础。近年来,在视觉文化的狂潮中,建立在恐怖电影基础上的恐怖文化不断发展、壮大,成为重要的社会文化现象。作为重要的视觉文化形式,恐怖文化满足了大众的好奇心和生活的趣味,激发了大众对恐惧和焦虑体验的审美期待。作为极端的审美再生产形式,恐怖文化通过对历史文化的挖掘,对精神心理和日常生活深层肌理的解剖以及科幻世界的深思玄想,产生了一种极具惊吓性、悬疑性、融合性和延伸性美感表征的体验空间。同时,我们要保持清醒的认识和批判性的反思,以免滑入恐惧和焦虑体验的空洞游戏之中。
Visualization constitutes the important basis of existence and development of contemporary culture. In recent years, in a frenzy of visual culture, based on the horror film, culture of fear continually develops and expands, it becomes an important social and cultural phenomenon. As an iraportant form of visual culture, the the taste of life of the mass, can art of terror can satisfy the curiosity and constantly inspire their countless aesthetic expect of fear and tion, through the anxiety. As a kind of digging of history and and the daily life of the deep texture as extreme culture, well as form of aesthetic the anatomy of reproduc- the mental the careful contemplation of science fiction world, regenerates the experience space which is extremely frightened, gazed, extended and fused. At the same time, we should guard against sliding into the empty game of the fear and anxiety experience, which must keep a clear understanding and the critical reflection.
出处
《文化研究》
CSSCI
2016年第4期292-306,共15页
Cultural Studies
基金
国家社会科学基金青年项目“现代焦虑体验的美学研究”(11CZW011)的阶段性成果
关键词
视觉文化
恐惧
焦虑
审美再生产
震惊
Visual Culture Fear Anxiety Aesthetic Reproduc-tion Shocked