王家卫电影的后现代情感表达艺术

The Art of Post-modern Expression of Feelings in Kar-wai Wong's Films

王家卫在华语影坛始终是一个独特的存在,他的电影不是在讲故事,而是在诉说情感。王家卫用其电影的不完整叙事诉说了人物空虚落寞又没有归宿的情感,用断裂的时间和空间艺术渲染了人物孤独的情感,用其独特的色彩表现方式、构图方式、人物内心独白和配乐描绘着人物的情感轨迹与情感关系,凸显了人物浓烈的后现代情感,为观众展现出一个漂泊、虚空、散漫的情感世界。

Kar -wai Wong is a unique existence in Chinese filmdom as his film is not teltmg story but ex- pressing feelings. In his film, Wong describes figures＇ void, lonely and homeless feelings through the incom- plete story - telling, depicts figures＇ solitary feelings through the broken time - space art and expresses and, illustrates the trajectory and relationships of figures＇ feelings through unique color expression, mode of com- position, internal monologue and the background music. All these display strong post - modem feelings of the figures, which then give audiences a world of feelings that is drifting, void and desultory.