试论军旅舞蹈创作中民族民间舞元素的运用

Preliminary Discussion on the Use of the Elements of Ethnic and Folk Dance in the Creation of Military Dance

军旅舞蹈是中国当代舞蹈不可或缺的重要组成部分。自军旅舞蹈诞生至今,始终与民族民间舞蹈有着不解之缘。从时间轴上来看,不同时期军旅舞蹈创作对民族民间舞元素的运用方式不同,分三个不同阶段,即吸收与汲取阶段、应用与融合阶段、创新与发展阶段;从地域轴上来看,不同军区的军旅舞蹈创作对民族民间舞元素的运用呈现出鲜明的地域特色。军旅舞蹈创作对民族民间舞元素的运用所呈现出的两种现象是,同一民族元素在不同时间中的"不同"以及不同民族元素在相同时间内的相似。通过具体案例分析,探求其"变"与"不变"的根本原因,从而能够更深入地总结出军旅舞蹈的创作特色。

Military dance is an indispensable part of contemporary Chinese dance. Since its birth, military dance is bound up with ethnic and folk dance. In the temporal dimension, the use of ethnic and folk dance elements is different in the creation of military dance in different times. There are three stages： assimilation and absorption, application and integration, creation and development. In the spacial dimension, a strong local feature can be seen in terms of the use of ethnic and folk dance elements in the creation of military dance in different military regions. Two phenomena in terms of the use of ethnic and folk dance elements in the creation of military dance are noted： the same ethnic elements which are shown differently in different times and the different ethnic elements which are shown in the same way in the same time. By using specific cases, this paper investigats the basic reasons behind these similarity and difference in order to conclude the features in the creation of military dance at depth.