《搜神记》中“复生”母题的文化内涵

The Cultural Connotation of "Rebirth" Motif in SOUSHENJI

汉魏六朝文学因其丰富的题材、多样化的文体特征,历来被学者视为后代文学发展的土壤。这一时期,无论诗歌、小说还是散文,皆已初具模型。《搜神记》,志怪小说的代表作,因其记载了大量鬼神故事、逸闻传说,初具小说模型,也历来是研究神怪小说参照的原型。以神话母题为研究基础,从"死而复生"的框架中挖掘《搜神记》"复生"母题所蕴含的丰富内涵。

For its rich themes and diverse stylistic features, the literature of Han, Wei and Six Dynasties has been regarded as the soil of literary development in the following dynasties. During this period, poetry, fiction and prose had all begun to take shape. ＂SOUSHENJr＇, the representative of the supernatural stories, having recorded abundant ghost stories and anecdotal legends, and having had the original form of novels, has always been a reference prototype for ghost stories research. Based on the research on the myth motif, this article aims to mine the rich connotation in ＂rebirth＂ motif of ＂SOUSHENJI＂ from the framework of ＂death and rebirth＂.