摘要
本文通过从现象学的角度剖析菲利普·约翰逊(Philip Johnson)1949年前的活动轨迹,寻找玻璃屋(the Glass House)中"风景画"(landscape)及"装饰画"(picture)认同感的根源,揭示定居与场所构建之间的关系,解读菲利普·约翰逊与玻璃屋之间的对话,表明建筑存在于世并非是形式拼凑,而是与设计者(身体)自身存在具有一致性关系。
This article, analysis Philip Johnson＇s trajectory before 1949 under the perspective of phenomenology, looks for the root of the identity in the construct about ＂landscape＂ and the ＂picture＂, reveals the relationship between dwelling and construct, unscramble interaction between the glass house and Philip Johnson, shows that the structure exists in the world is not form piecing-together induction, it is a consistent relationship with designer himself.
出处
《建筑师》
2017年第3期51-58,共8页
The Architect
