摘要
"耳挖"与"耳挖簪"均为清洁耳朵的工具,而"耳挖簪"又兼具发簪的功能,考古发现的这类实物以金、银、铜质为主。本文通过对魏晋至明的实物梳理,结合相关文献,分析这一时期"耳挖"及"耳挖簪"形制演变的规律与特征,并阐述其所反映的造物观念及社会审美风尚。在此基础上,论述魏晋至明挖耳工具演进的文化背景,以期发现这一时期日用器物发展与繁荣背后的社会因素,以及器物与人、环境之间的互动关系。
Both "earpick" and "earpick Haipin" are tools cleaning ears; The latter shares functions of hairpins and such archaeological material objects are mainly in gold, silver and copper textures. The paper analyzes the evolution rules and features of "earpick" and "earpick Haipin" shape in this period by arranging objects existed from Wei and Jin Dynasties to Ming Dynasty and combining relevant literatures, and states the concepts of creation and social aesthetic fashion reflected. On this basis, also discusses the evolution background of earpick tools from Wei and Jin Dynasties to Ming Dynasty, hoping to find social factors behind the development and prosperity of daily used implements in this period as well as interactive relationships between implements and human on one hand and the environment on the other hand.
出处
《艺术设计研究》
CSSCI
2017年第2期83-88,共6页
Art & Design Research
关键词
耳挖
耳挖簪
形制
文化背景
Earpick
Earpick Haipin
Shape and structure
Cultural background