摘要
少数民族在审美化生存中形成的日常人生与艺术人生相结合的美感人生,是一种审美化的诗意人生,其形成有着主客观多方面的原因。少数民族美感人生与生态世界对生,民族艺术、生态世界、审美主体三位一体圈进环生,构成了少数民族以"生态中和"为显著特征的生态艺术审美场系统。
The aesthetic life that minorities lead is a combination of daily life and artistic life that is formed in their aesthetic survival. It is also a kind of aestheticized poetical life, which comes into being due to subjective and objective reasons. The fact that the ethnic aesthetic life is in opposition to the ecological world while the ethnic art, ecological world, and aesthetic subject are trinity in the ecological circle constitutes the minorities' ecological artistic aesthetic field system which is characteristic of 'ecological neutralization'.
出处
《鄱阳湖学刊》
2017年第3期65-70,共6页
Journal of Poyang Lake
基金
2015年度国家社会科学基金项目"生态美学视野下的侗族河歌研究"(15XMZ092)的阶段性成果