摘要
毛泽东视文艺为革命意识形态的重要构成要素,将文艺工作与革命工作相联系,使文艺与意识形态延伸出的政治运动挂钩。《在延安文艺座谈会上的讲话》有着明确的文艺美学政治诉求,呈现为审美政治话语的建构。《在延安文艺座谈会上的讲话》将五四以来的审美政治话语与马克思主义美学话语以及苏联的革命文艺话语整合在一起,多层次的审美构建与独特的中国经验相结合,使《在延安文艺座谈会上的讲话》的审美文艺观呈现出一种复调性。
Mao Zedong takes literature and art as important components of revolutionary ideology. Speech at the Yan'an Literature and Art Forum represents an appeal of aesthetic ideology and the construction of aesthetic political discourse. Speech at the Yan'an Literature and Art Forum integrated the aesthetic political discourse since the May 4th movement,aesthetic discourse of Marxism and Soviet revolutionary literary and art discourse. Multi-level aesthetic construction combined with unique experience in China m akes the literary and art aesthetics of Speech at the Yan'an Literature and Art Forum become bitonality.
出处
《云梦学刊》
2017年第4期25-29,共5页
Journal of Yunmeng
基金
国家社会科学基金重大项目"20世纪中国美学史"(12&2D111)
关键词
《在延安文艺座谈会上的讲话》
审美意识形态
审美政治话语
建构
Speech at the Yan'an Literature and Art Forum, aesthetic ideology, aesthetic political discourse, construction