摘要
"打倡"是湖南汨罗江流域百姓祈求神灵保佑、降魔除妖、驱邪治病的请神祭祀民间习俗。这种古老的祭祀仪式是对汨罗江流域千年整体"文化场"的记录和再现,具有较强的历史价值、审美价值、社会价值以及文化价值。在民族音乐学视野下对"打倡"仪式进行深入田野考察,可以发现其活动区域正逐渐缩小、传承人青黄不接、仪式程序核心体系异化等,呈现出日渐式微的窘迫现状。
Dachang is a sacrificial custom of exorcism in the Miluo River basin. The old sacrificial ceremony is the record and reappear of whole cultural field of thousands years in the area. The rite has a strong historical value, aesthetic value, social value and cultural value. Through the thorough field study about Dachangrite under the perspective of ethnomusicology, we may find that the action zone is gradually narrowing, lack of inheritors, heterization of the core system of ritual procedure, etc. D achang rite is showing an increasingly embarrassing situation.
出处
《云梦学刊》
2017年第4期116-119,共4页
Journal of Yunmeng
基金
湖南省哲学社会科学基金项目<汨罗江流域活态民间音乐资源保护与开发研究>(16YBA188)
湖南省教育厅科学研究项目<文化创意产业背景下的汨罗江流域民间音乐传承研究>(16C0738)