摘要
英国小说家戴维·洛奇并不认同"作者之死"的作者观。他继承了英美作家在作品中表达作者声音的传统,通过写作创作随笔与读者交流。洛奇分别为传记小说《作者,作者》《风流才子》写了题为《亨利·詹姆斯年》《写作H.G.威尔斯》的两篇创作随笔。洛奇的创作随笔不仅回顾了传记小说的创作缘起与创作历程,还分析了传记小说的特色与价值,为传记小说这种混杂文类辩护,重申了作家与作品互证互释的关系,凸显了作者的主体性,反驳了"作者之死"的作者观,实现了作者的回归。
The British novelist David Lodge does not agree with the view of "the death of the author". He inherited the Anglo--American writers' tradition of writing essays to expressing the author's voice. He composed two essays respectively named "The Year of Henry James" and "Writing H. G. Wells" for his biographical novels Author, Author and A Man of Parts. In the essays, Lodge not only reviewed the ori- gins and creative process of biographical novels, but also analyzed the characteristics and values of bio- graphical novels to defend this hybrid genre. Besides, Lodge~ s essays reaffirm the relationship between writers and works, highlight the author's subjectivity, and refute the view of "the death of the author" and thus reclaim the return of the author.
出处
《青海师范大学学报(哲学社会科学版)》
2017年第3期134-139,共6页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
戴维·洛奇
“作者之死”
创作随笔
传记小说
David Lodge
"the death of the author"
essay on writing
biography novel