论当代木偶剧造型艺术的创作

On the Creation of Puppet Modeling in Contemporary Puppet Show

本文重点讨论木偶剧艺术传统与现代的相互融合、木偶与当代艺术的结合、木偶剧中带有装置感的造型艺术以及木偶剧造型创作的艺术性,从四个方面来探讨木偶剧造型艺术的创作。"人偶同体,物我之间"—当代木偶艺术发展到今天,木偶造型和展演方式的创新得到了越来越多的关注,传统傀儡经历的演变可能成为新生代的"代言人",多变的人偶造型与戏剧表演、装置艺术不断结合,让人们感受到木偶造型艺术在当代戏剧及造型艺术中焕发的勃勃生机,同时也给我们传统木偶艺术带来巨大的挑战,是固守,是融合,还是思变?

This article focuses on the creation of modelling in puppet show from four aspects as follows： the tradition and transcendence of puppet show, the combination of the puppet art and contemporary art, the art of modelling with the features of installation art in puppet show and the modelling artistry in the creation of puppet show. ＂The coordination between the puppet and the puppet performer, the harmony between the object and the subject.＂. Nowadays, more and more attention has been paid to the innovation of the puppet modelling and puppet performing, traditional puppet show has been evolved as the spokesman of the new puppet show. Namely, the multi-changed puppet modelling has been connected with theater performing and the installation art so profoundly that the artistic vitality and freshness of the puppet show attracts the audiences greatly. Besides, this also brings about challenges to our traditional puppet show, keeping insistence to the tradition or integrating and making some changes.