张大千泼墨泼彩绘画的辩证美学研究

A Study of Dialectic Aesthetics Shown in ZHANG Daqian's Ink-splash and Color-splash Paintings

对张大千晚期泼墨泼彩画作的辩证美学研究,主要以"文本细读法"集中于其晚期泼墨泼彩绘画文本本身的解读,以较之于其早中期具有代表性的绘画名作的艺术表现形式,并以此阐释其泼墨泼彩的艺术形式被称誉为"转进"的合法性前提,及该艺术形式审美的辩证特性是何以可能的,就该辩证审美的特性,发现、建构大千本人的艺术发展的自律逻辑过程。

As for the study of dialectic aesthetics shown in ink-splash and color-splash paintings in ZHANG Daqian＇s late years, this paper has adopted the ＂careful reading method＂ and focused on the interpretation of these paintings which are somewhat different from those works of his early and middle years. On this basis, it has made an attempt to explain why such artistic form has been famed as legal premise of ＂transformation＂ and why its dialectic features are possible. With such possibility of these features, this paper has found and constructed the logic process of self-discipline of ZHANG Daqian＇s growth in art.