艺术的真理、批评与自律--阿多诺对艺术真理性的思考

Truth Criticism and Self-discipline in Art——Thoughts on the Truth of Art by Adorno

艺术作品在阿多诺那里,并非纯粹人造物,而是具有真理价值的事物。尽管文化工业迫使艺术沦为商品,继而摧毁了艺术的真理性,但在真正的艺术作品里,仍然保有这种真理性内涵。而企及艺术作品真理性内涵的路径只有一条,即通过哲学。更进一步说,即哲学批评。这部分内容,实际并非阿多诺原创,而是源于他对本雅明思想的继承和发展。本雅明认为,哲学批评不同于哲学认识。认识通过概念,是种有向性的思考。而哲学批评的责任则不在于通过概念认知真理,而是依靠理念呈现真理。对此,阿多诺全盘保留了本雅明的思考,并进一步将真理性的内容扩展开来,与艺术对终极事物的追问及其自律性联系在了一起。

Art works by Adorno is not purely artificial, hut with the troth of things.Although the cultural industry forces art to become a commodity, and then destroys the troth of art, the real works of art, still retain this truth content, to which there is only one path , that is, through philosophy, or rather, philosophy criticism.This part of the content, is not Adorno＇ s original creation, but from Benjamin＇ s thought.Benjamin argues that philosophical criticism is different from philosophical cognition. Understanding through the concept, is a kind of directional thinking.And the responsibility of philosophical criticism is not through the concept of cognitive, hut relying on the concept of troth.In this regard, Adorno retains Walter Benjamin＇ s thinking, and further expand the true reason and connects with the questioning of ultimate from art and its self-discipline.