摘要
羌族民歌历史悠久,在现代社会环境影响下,特别是汶川"5·12"特大地震后,它的保护与传承更有必要、更受重视,将羌族民歌运用入音乐创作就是很好的保护、传承和发展方式之一。通过对羌族民歌调式、旋律特点进行研究,对当代作曲家根据羌族民歌或羌族民歌特点创作的声乐曲、器乐曲进行分析、归纳,总结出羌族民歌在音乐创作中的运用途径,主要体现为:原始民歌原样使用,原始民歌变形使用,原始民歌改编、创编后的再运用,根据羌族民歌特点创作音乐主题4种方式。此4种方式丰富了音乐创作的素材,使音乐极具个性、内涵,从而为羌族音乐的保护、多元化传承、进一步发展做出努力。
The Qiang folk song has been evolving with the changes of Qiang minority in social environment, especially after "5 · 12" Wenchuan Earthquake, inheritance and its long history. In modern safeguarding of Qiang folk song draw more attention. Applying Qiang folk song materials to music composition is one of the great methods. Research Qiang folk song's tonality, melody , analyze, induct and summarize a series of vocal music and instrumental music composed by contemporary composers based on Qiang folk song or its characteristics, Mainly as follows: Use .change adaption and re - use of Original folk songs, According to the characteristics of Qiang folk songs to create a music theme for these four wars.
出处
《音乐探索》
2017年第3期98-107,共10页
Explorations in Music
关键词
音乐创作
原始民歌
羌族音乐
素材运用
materials
Original folk songs
Qiang music
material application