诗情画意·民胞物与——中华传统美学的诗性精神内蕴

Poetry and“the People Are My Brothers and I Share the Life of All Creatures”——the Poetic Spirit of Chinese Traditional Aesthetic

当代中华传统美学的继承和发展,有赖于中华优秀传统美学思想精神的发现与阐扬,而中华传统美学之最为生动的精神实践形态,则是人文关怀与诗情画意的相得益彰。为此,在思想原理和实践原则同步探询的意义上,可围绕以下三题展开论述:一、叩问于"目击可图"与"游心太玄"两端,以阐明中华诗情画意的生成原理;二、辨析原始儒家"博施济众"之圣人人格与原始道家"相忘于江湖"之人学理念之间的文明契合关系,从而阐明"民胞物与"的终极境界;三、探讨西方哲人所提出的"人,诗意地栖居"的中国实践模式,进而讨论中华传统文化自信之美育养成的关键课题。关于中华传统美学之诗性精神内蕴的学术性阐释,有助于构建当代中国之传统文化自信的精神基础。

Contemporary aesthetic education of Chinese cultural confidence depends on the spirit's exploration and expound of Chinese traditional culture. The most vivid spiritual practice form is thecombination of the humanistic care and poetry. Therefore, as seeking thought principle and practiceprinciple at the same time consider, the paper will discuss three theses as follows: firstly, through de-scribing the pictures when we look at and soaring our mind freely in order to manifest the genera-tion principle of Chinese poetry. Secondly, through discriminating the interactive relationship betweenthe original Confucianism's Saint's personalities of helping the public by bestowing liberally and theoriginal Taoism's humanism idea of understanding forget each other in the world in order to illumi-nate the highest realm'the people are my brothers and I share the life of all creatures'. Thirdly, re-searching the Chinese practice model of 'human, poetic dwelling' put forward by western philoso-phers in order to discuss the key issues with respect to the aesthetic education of Chinese culturalconfidence. The academic discussions about Chinese traditional aesthetic poetic spirit contribute tobuild the spiritual foundation of contemporary Chinese citizen's cultural confidence.