论先唐宫殿赋的写作范式及其嬗变

A Study of Creative Patterns for Palace Fu in Pre-Tang and Its Evolution

先唐宫殿赋从最初谫陋不文的陈词具文到对宫殿本体的审美发现,再到精微刻写之进步、主观情感经验之介入,转而显现繁芜累句之病,最终发展出舒朗清丽的锦篇佳构。探讨宫殿赋在不同时空中的书写变化,在重建宫殿赋历史谱系的前提下具体作品如何回应、继承、摒弃先代传统,又怎样完成开创、渐趋僵硬、再生活力,具有很重要的意义。其写作方法与表述模式的迁移转换不仅折射出一时审美蕲向与文学旨趣的递嬗,对了解一种文学体式的发展理路与隆替轨迹尤多提示。

Palace Fu had been changed a lot in Pre-Tang Dynasty. Indeed, there is a successionhere, from platitudes to the discovery of aesthetic value of palace to the progress of writing expres-sion to tedious description and then to magnificent literature. It's important to explore the changes ofthe Palace Fu in different periods and observe how the specific literary works respond to, inherit andabandon the tradition and how they blaze new trails, become sclerotic gradually and vital again onthe ground of reconstructing the historical genealogy of Palace Fu. The transformation of the way ofwriting and narrative structure not only reveals the change of aesthetic and literary tastes, but alsoshows one literary style's evolving track and development feature.