潘金莲和颂莲悲剧意蕴的比较

Comparison of tragic implication between Pan Jinlian and Song Lian

《金瓶梅》中的潘金莲和《妻妾成群》中的颂莲形象有很大的相似性,她们在自我意识上都有一定程度的觉醒,并试图以妾的身份冲破封建一夫多妻制的束缚,寻求自身的解脱。但是在那种旧的封建伦常礼教维系下的社会里,主体意识稍有觉醒的女性既难以冲破社会的定势,又难以克服自身的弱点,等待她们的往往是悲剧的结局。而潘金莲和颂莲就是这样两个被"深井"吞噬掉的典型女性。

The images of Pan Jinlian in The Plum in the Golden Vase and Song Lian in Wives and Concubines are quite similar. They both have serf consciousness to a certain extent, try to break through the shackles of feudal polygamy, and seek their own relief. However, in the old society under the influence of feudal ethics, wome were not only difficult to break through the social stereotype, but also hard to overcome their own weakness, so their future is always a tragedy. Pan Jinlian and Song Lian are such two typical women swallowed by the ＂deep well＂.