顾恺之的《庐山会图》与六朝时期的宫亭湖神女传说

Gu Kaizhi's picture of Meeting on Mount lu and legends of Gongting Lake during the six dynasties

顾恺之的《庐山会图》并不像一些学者所说那样是张"纯粹的山水画",而是以庐山脚下宫亭湖为背景的人物画。该作品取材自六朝时期影响巨大的宫亭湖神传说,主题是当时流行的人神相恋,而某些场景则保留在今本《洛神赋图》之中。米芾所见到的六朝风格唐摹本《古庐山图》残件,为考证顾恺之《庐山会图》的内容、形式以及它与《洛神赋图》的关系提供了关键证据。顾恺之时代还没有出现独立的山水画,所谓"山水"只是填补在人物身后的一道幕景而已。

Gu kaizhi's Meeting on Mount Lu,not as some scholars declared,is purely a ' landscape painting',but a figure painting with the background of Lake Gongtingwhich is at the foot of Mount Lu.This piece of painting was greatly influenced by the legend of Lake Gonting in the six dynasties.Its theme was Love between man and deity which is very popular during that era and some of the scenes are still retained in Nymph of the Luo RiverThe piece of Tang Dynasty copy 'Ancient Mount Lu ' in six dynasties style which MiFuhad seen,has provided key evidences for textual research of content and form of Meeting on Mount Lu,also for its relationship with Nymph of the Luo River.There have been no independent landscape painting in Gu kaizhi's era,the so-called 'landscape' is just the backdrop of the figure painting.