摘要
吴承恩的文学思想是一个未开垦的领域,其中包含了很多能够挖掘其内心世界和主导信念并进而窥探《西游记》创作要旨的内容。他科举挣扎长达30年,但本质上却是一位仅以举业为幌子的文学酷爱者;他的文学成就得到相当不错的评价;他有明确的文学主张,与当时的文坛重要人物有交往并卷入纷争;他的词选集《花草新编》的创意、体例和编选成果长期被《花草粹编》占有,他还应该是分类选词的首倡者。但他把自己的文学活动,最终归结为一个目标:描摹世态,鉴戒社会,做一个干预生活的"野史氏"。
Wu Chengen's literary thought is an undeveloped field,which contains a lot to dig its inner world and the dominant beliefs and then spy on the Journey to the West creative content. He is struggling for 30 years in umperial examinations,but in essence he is only a literary lover. His literary achievements have received quite good praise. He has a clear literary proposition,and has been involved in disputes with the important literary figures at that time. The creativity,style and achievement of His poetry anthology of Huacao Xinbian has been possessed by Huacao Cuibian for a long time,and he should also be the first advocator of sorting words. But he put his own literary activities,and ultimately attributed to a goal of describing the world,understanding society,and being 'unofficial history mind'to intervene life.
出处
《淮海工学院学报（人文社会科学版）》
2017年第8期38-42,共5页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
