田野视野下的演述型说书艺人及其演述文本特征研究

Ballad Singing Artists and Their Text Features-A Fieldwork Perspective

学界以往对蒙古族说书艺人的研究,多以说唱型艺人为对象,而忽略了演述型艺人及其表演文本。从田野的角度审视蒙古族说书艺人中的演述型艺人,探讨其在蒙古族说书传统中的地位、作用,以及其民间称号的文化含义,与说唱型艺人的区别,演述文本的体裁归属和语言特点等问题,可发现演述型艺人的存在,使说唱型艺人研究有了参照对象,因而对于说书艺人以及蒙古族说书传统研究有重要意义和价值。

Traditional researches on Mongolian ballad singing focused on story tellers or singers, and ig- nored the texts they used. If, from the fieldwork perspective, the texts for performance, texts＇ role and func- tion, their traditional role, folk appellation and its definition, the ballad singers＇ and story tellers＇ differ- ences, text genres, and language features are further explored, it can be seen that the existence of ballad singers may provide the researchers a new object for reference. This new perspective will lead to new fndings of Mongolian ballad singing tradition.