鲁迅杂文的视野与深度

The Field of Vision and Depth of Lu Xun's Essays

鲁迅杂文堪称现代中国的"诗史":文明批评,视野开阔,压迫女性的男权、无视幼者的父权、"国粹家"的嘴脸、"暴君的臣民"的残虐与奴性、"合群的爱国的自大"、"瞒和骗"的功夫、"无意识的杀人团"等,均在其锋芒所指之中;社会批判犀利而深邃,抨击社会丑恶,直指专制制度,且上溯其历史渊源;文坛论争的参与和文人面相的剖析,亦见证了思想交锋、文化碰撞、人格冲突,折射出20年间起伏跌宕的文学史、思想史;也善于发现沙漠里的清泉、暗夜里的微光、创伤累累的历史中屹然挺立的民族脊梁、凡人小事逝者如斯中不朽的伟大。

Lu Xun＇ s essays are called the ＂history of poetry＂ of modern China： civilized criticism, broadened field of vision, patriarchy in oppressing women, paternity that ignores the young, features of the ＂experts on quintessence of Chinese culture＂, cruelty and servility of the ＂subjects of tyrants＂, ＂arrogance of gregarious patriotism＂, art of ＂deceiving and cheating＂, ＂ unconscious killer groups＂ and others all falling within the range of his spearhead ; sharp and profound social criticism, criticizing social ugliness, directly aiming at the authoritarian system and tracing back to their historical origins; participation in the disputes in the literary world and analyses of the faces of men of letters witnessing confrontation of ideas, collision of culture and the personality conflict, and reflecting the history of literature and history of thoughts during the twenty years of ups and downs： good at discovering clear springs in the desert, weak light in the dark night, backbones of the nation still standing up in the traumatic history, and the immortal greatness of the mortal, the trifles and the departed.