摘要
具有鲜明影像风格的电影是如何形成的?在电影影像创作中是否存在一个先于拍摄的视觉管理系统?本文提出了一个新的范畴,并命名为"影像概念",通过一些具体片例来探讨视觉先期设计的意义及做法。作者提出了"规划"与"生成"的不同创作理念,呼吁中国电影影像创作者进行更多的影像探索。
How are images in movies with distinct styles created？ Does a pre-production visual management system exists in film production？ This essay brings up a new category called ＂Image Concept＂ through certain film examples, talking about the importance and method of image design during earlier stages of visual production. At the end, the author brings up the differences in creation concepts of ＂Planning＂ and ＂Adaption＂, calling on Chinese filmmakers for further explorations in image designs.
出处
《电影艺术》
CSSCI
北大核心
2017年第4期150-156,共7页
Film Art
关键词
电影影像创作
影像概念
规划法
生长法
film image production, image concept, notion of early-production planning,
