摘要
扬琴重奏近年来已成为扬琴演奏形式发展的主流,并成为高等音乐院校专业教学的重要内容。高等音乐院校要注重扬琴课堂教学改革及人才培养模式改革,注重作品的创新,增强其流行性、可视性和抒情性,大力发展扬琴二重奏,这是高等音乐院校扬琴重奏发展的道路。
In recent years dulcimer ensemble has become the mainstream of dulcimer-playing development and an important part of professional teaching in higher music education in universities. Only by paying attention to the re- form of dulcimer classroom teaching and training mode as well as to the innovation of works, enhancing its populariza- tion, visibility and lyricism, and vigorously developing dulcimer duet, can we get a correct way to the development of dulcimer ensemble in hi^her music education in unive, r,~iti~
出处
《教育理论与实践》
CSSCI
北大核心
2017年第21期63-64,共2页
Theory and Practice of Education
基金
山西省留学基金项目"扬琴二重奏的创作思维与表演形式研究"(项目编号:0605503)的研究成果
关键词
扬琴重奏
实践教学
演奏形式
作品创作
dulcimer ensemble
practice teaching
performance form
creation of works