摘要
本文以全国少数民族文艺会演的历时性发展为线索,对我国少数民族舞蹈创作的审美发展进行分析。从对会演实质的认识出发,进而分别提炼出五届少数民族会演的特点,即民族性、多样化、原生态、艺术性、主体性,并对会演中的代表性作品从舞蹈创作审美变化的角度进行分析、阐述与比较。最后对历届会演中少数民族舞蹈审美发展概况与原因进行总结。
This paper analyzes the development of the aesthetic ideas of Chinese minority dance creations based on the diachronic review of the National Minority Art Festival. Starting with the understanding of the essence of the festival, the paper explains the historical construction and narration of the festival, clarifying the five characteristics of the festival: nationality, diversity, originality, artistry, and subjectivity. The paper further analyzes, expounds and compares the representative dance works of the festival in the perspective of aesthetic ideas. The paper concludes with the reasons and the summary of the development of the aesthetic ideas of Chinese minority dance creations.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2017年第3期41-45,共5页
Journal of Beijing Dance Academy
关键词
会演
民族性
多样性
原生态
theatrical festival
nationality
diversity
original ecology