摘要
以《春江花月夜》为题材,有四个不同版本的舞蹈艺术创作。从早期陈爱莲的古典舞版本到2015年万素的"即现"版本,从最初的独舞作品到后期的群舞作品,在整整60年的历史长河中,一部《春江花月夜》见证了中国舞蹈创作的发展理念和编导们"多歧为贵,不取苟同"的创作特性。四版不同的《春江花月夜》舞蹈作品将隐藏在诗词中的深邃意境挖掘出来,吸引着观众去惝恍迷离的艺术氛围中探寻美的真谛。
The four different versions of dance creations on the same subject Moonlight of Spring River developed from the earliest classical dance by Chen Ai-lian to the latest "instant presentation" by Wan Su, and from the early solo to the late group dance. The dance creations of Moonlight of Spring River witness the development of China' s dance creation ideas and the choreographers' creative characters during the period of 60 years. The four different versions explore the deep meaning of the poetry and attract the audience to seek the essence of beauty in the charming atmosphere of dance art.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2017年第3期60-63,共4页
Journal of Beijing Dance Academy
基金
2016年度教育部人文社会科学研究规划基金项目"舞蹈作品中的多元艺术类型研究"(项目批准号:16YJA760008)成果之一
关键词
春江花月夜
情境再现
哲理观照
意境营造
意象造境
Moonlight of Spring River
situated rebuilding
philosophical reflection
creating artistic conception
image building