论古华《爬满青藤的木屋》的叙述缝隙

Study on the Narrative Gap of Gu Hua's The Ivied Cabin's

创作于1980年的《爬满青藤的木屋》虽于1981年获得短篇小说奖,并为古华赢得了一定声誉,但却反映了作家新时期向现代民族国家话语靠拢的功利性目的。现代性叙事、人道主义叙事与情爱叙事是小说反叛"文革"话语的三大叙事类型,而讲述话语时代和话语讲述时代之间的时间裂缝,则使它们呈现出各自的叙述缝隙:现代性追求的无力感、人道主义中的女性声音以及情爱话语的欲语还休。

Although The Ivied Cabin that was created in 1980 got the award of excellent short story of China in 1981 and won reputation for Gu Hua,it reflects the author＇ s utilitarian purpose of approaching the discourse of modern nation-state in the new period. The modernity narration, humanitarian narration and love narration are this novel＇ s three narrative types which rebel against the ＂Cultural Revolution＂ discourse, but the gap of time between the age of telling story and the story time causes them to show their respective narrative gap： the powerlessness of modernity pursuit, female voice in the humanitarian and hesitant statement in love discourse.