摘要
全球化的浪潮下,建筑文化面临着"国际化"、"同质化"、"单一化"的问题,如何传承中国传统建筑文化、探讨现代与传统的结合是当代中国建筑师急需思考的问题。日本和中国虽有着类似的经历,现代日本建筑师们在探索"现代的"、"日本的"的建筑设计手法等方面成果巨大,值得我们学习和参考。文章通过研究隈研吾在中日两国的所有建筑作品,分类整理分析作品中的传统自然材料及运用手法,进而比较其在中日两国不同的建筑环境下如何运用相似的建筑材料进行建筑地域及时代性的表达,试图找到材料与建筑、建筑与环境,建筑与时代的关系,为探索当代中国建筑的民族性和地域性,也为中国建筑师回归传统建筑文化提供一定的线索。
In the wave of globalization, the architectural culture is faced with "Internationalization", "Homogenization" and "Simplification". Chinese architects need to think how to inherit traditional architectural culture and discuss the combination of modern and traditional architecture. Japan and China have similar experience, but modern Japanese architects have made great achievements in exploring modern Japanese architectural design. This paper have studied all projects of KengoKUMA in Japan and China, sort and analyze the traditional natural materials and techniques, compare the different expression in Chinese and Japanese architectural environment how to use similar building materials to express architectural in the times, and try to find out the relationship between architecture and material, environment and architecture, architecture and times. It also provides some clues for architects to return to the traditional Chinese architectural culture and to explore the national and regional character of contemporary Chinese architecture.
出处
《建筑与文化》
2017年第7期147-149,共3页
Architecture & Culture
基金
浙江省自然科学基金项目资助(项目编号:LY16E080013)
关键词
中日建筑作品
地域性
时代性
材料表现
Chinese and Japanese Architecture
regionalcharacter
contemporaneity
MaterialExpression