摘要
从中国文学的原型批评视域来看,"嫦娥奔月"作为"女性出走"主题的神话原型在中国古代置换变形为以"兰芝出走"为典型的带有行孝守贞、重情重德的主题特征的女性形象。至"五四"时期,再度置换为以"子君出走"为典型的昭显女性独立人格意识萌芽的女性形象。"女性出走"主题神话原型在中国文学进程中的一系列置换变形为我们在当今时代重新认识、思考女性的社会身份、生存命运提供了独特视角。
In light of archetypal criticism of Chinese literature, "Chang' Er Flying to the Moon",as the mythological archetype(where the theme was females' running away from home) , was displaced by filial, chaste, sentimental and moral females represented by "Lanzhi who ran away from home" in the ancient China. In May 4th period, it was further displaced by females who began to have independent personalities represented by "Zijun who ran away from home". As archetypes were constantly displaced in mythologies with the theme of "females running away from home" during the development of Chinese literature, A u- nique perspective has made available for people to further understand and reflect upon social identities, survival and destinies of females in modern times.
作者
赵婧迪
Zhao Jingdi(Liberal Arts College, Hunan Normal University, Changsha 410006, Hunan,China)
出处
《安顺学院学报》
2017年第3期13-16,共4页
Journal of Anshun University
关键词
女性出走
原型
中国文学
置换变形
females running away from home, archetypes, Chinese literature, displacement