摘要
从“常态”到“新常态”
35年前,《卡门》作为改革开放后第一部在中国内地上演的西方歌剧,成为了当时中国歌剧市场的一次标志性事件,也成为改革开放后中国内地与国外联合制作、演出的一次“壮举”。
The 'new normal' of opera represents new models in both production and performance.As a graduate student of Peking University's Opera Research Institute,I served as stage manager and assistant producer of the Shanghai Symphony Orcliestra's concert performance of Don Giovanni on May 19-21,2017.It is 'new' because this version of Don Giovanni attempted many breakthroughs.As to looking for a 'new normal' regarding Chinese opera's need to find a proper path in the changing environment,this version of Don Giovanni serves as a good reference.
出处
《歌剧》
2017年第7期48-50,共3页
Opera