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寻找歌剧制作及演出的“新常态”模式——从上海交响乐团版《唐璜》说起

Looking for a “new normal” of opera production and performance On Shanghai Symphony Orchestra's concert version of Don Giovanni
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摘要 从“常态”到“新常态” 35年前,《卡门》作为改革开放后第一部在中国内地上演的西方歌剧,成为了当时中国歌剧市场的一次标志性事件,也成为改革开放后中国内地与国外联合制作、演出的一次“壮举”。 The 'new normal' of opera represents new models in both production and performance.As a graduate student of Peking University's Opera Research Institute,I served as stage manager and assistant producer of the Shanghai Symphony Orcliestra's concert performance of Don Giovanni on May 19-21,2017.It is 'new' because this version of Don Giovanni attempted many breakthroughs.As to looking for a 'new normal' regarding Chinese opera's need to find a proper path in the changing environment,this version of Don Giovanni serves as a good reference.
出处 《歌剧》 2017年第7期48-50,共3页 Opera
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